There is one story in the history of Outsider art that is now so familiar and well covered that we often overlook its significance. Although it took as much as a century to unfold, the discovery and elevation of the quilters of Gee’s Bend, Alabama to the level of Modern art now recognized and enshrined in museums is one of the undeniable success stories in the recognition of Outsider art.
The Contemporary art world has been on a long-term collision course with the world of Outsider artists for decades. A fascination with artists who lack formal training may be a product of the art world’s interest in representation and authenticity.